FERGUSON PHOTOGRAPHY
AND DESIGN

ALTERNATIVE PROCESS TUTORIALS
& PDF DOWNLOADS

Not that long ago gum bichromate, print-out paper, platinum, palladium, cyanotype, kallitype, carbo, albumen, and many other monochromatic mediums were available to the photographer. Today only silver gelatin is easily available. One needs only to experience the color of an Atget albumen, the depth of an Evans platinum, the feeling of night in Steichen's cyanotype "Flat Iron Building", or the warm purple glow of a Linda Connor's POP print to realize that these images would not be as effective on a modern RC silver gelatin paper!

These instructions introduce you to a number of these processes, and present my low-tech approach to alternative processes and the "zone system". It is my belief that the vast majority of failures in alt process are due to using "incorrect" negatives. I will give you a ballpark starting point for a few processes, allowing you to "try them out". I will also explain how to measure and fine-tune these processes for your own style and working methods.

happy isles sunflower
Illustration #1: Platinum Print on handmade paper
Copyright © 1993 by Tom Ferguson
Click on image for larger view
Illustration #2: Gum Print
Copyright  © 1994 by Tom Ferguson
Click on image for larger view

Series Introduction:

"Alternative Process Printing" is a surprisingly undefined phrase. In this series we will use it to mean photographic printing processes not commonly available ready made.

This series will deal primarily with three historic processes. These are Cyanotype, Platinum (palladium), and Gum Bichromate. The knowledge and basic principals presented here can easily be applied to other alt processes (Salt Prints, Van Dykes, Albumens, etc).

Cyanotype is a moderate definition "blue and white" iron based system that can be coated on a wide variety of papers and other base materials. Platinum and Palladium are a classic high definition warm toned black and white system that needs to be printed on high quality selected papers. Prior to 1920 many photographs were printed in platinum. Gum Bichromate is a moderate to low definition watercolor paint based system that allows almost any color (or mix of colors). Definition can be varied from reasonably sharp to painterly abstract by the number of coats, surface texture and registration. It can be printed on a wide variety of papers (although many papers will need pre-treatment).

It is my belief that so many people fail in their attempt to learn alt process printing for three reasons:

1) Mismatched negatives. You must know how to match a negative and its development to a process. Without this knowledge, getting a good print is a "crap shoot" regardless of how well you follow printing instructions.

3) Most alt processes can produce wonderful prints by a number of different methods. This has been know to cause confusion and arguments amongst the "experts". It is easy for a beginner to become so confused by the slight difference in techniques, that they never get past the confusion and actually print.

3) There is far too much misinformation floating around. Not just variations, as discussed above, but truly incorrect info. I can only assume that people have only read or "heard" the incorrect info (not actually tried it!), and then pass it on to others as "gospel truths".

leaf coating paper
Illustration #4: Cyanotype Photograms
and Silver Prints
Copyright © 1991 by Tom Ferguson
Click on image for larger view
Illustration #4: The author coating paper
Copyright  2001 by Tom Ferguson

This project started as a magazine article, became a class I taught at Learning Tree University for many years, then morphed into an unfinished book! As presented here we will work on two paths simultaneously. The "fun" path will get you printing in cyanotype. platinum, and gum as fast as possible. The "technical" path will introduce a simplified zone system for alt process work. This will allow you to create negatives that will print easily with a variety of alt processes.

The technical path includes determining a personal film speed, methods for measuring negatives, determining a personal film development time, determining a personal print exposure time, and altering film development for creative control.

I realize that may sound like a lot of "technical". Unfortunately modern film and developers are not aimed at the alt photographer. If you use them as suggested by the manufacturers, your results will be poor and inconsistent. It is my hope that after testing, you will have a simple consistent working method. Once these methods are known and proven you can once again concentrate on the artistic, without the "will it come out" concerns that so often cloud our artistic endeavors.

I hope this series of tutorials will both help you avoid these problems and encourage you to explore this wonderful art form. Click the "next" link below and we will look at how light, film, development, and alternative process relate.

MATERIALS PAGE  |  NEXT PAGE (Zone System)

 

tom ferguson
Tom Ferguson (website host)
with 11x14 inch
Burke and James camera


Misc Links:

Some websites and info I think you will enjoy. Not listed in any particular order.

Tom's Favorite Los Angeles Area Photo Art Gallery List: While web surfing is fun, nothing beats seeing and holding real prints. Except perhaps owning and living with real prints. These folks will be happy to help you with the "ownership" ;-)    Click here to view

Alternative Photo E-Mail List: A great resource with members from across the globe. Lively discussions and LOTS of volume. Set up a separate e-mail folder or you may "lose" your personal e-mail in the flood! You should read the archives to see if you are interested (Click here to visit) then sign up by following these instructions:

To subscribe send a message to the address:    alt-photo-process-request@usask.ca
with the message:    subscribe alt-photo-process-L
Please note the last letter of this command is the letter "el" not the number "one".

Primarily Visual Sites Primarily Info and/or Supplies Sites

Kerik Kouklis     Click here to visit
Wonderful platinum and POP images, also his workshop info.

David Michael Kennedy    Click here to visit
Platinum and silver images, a good platinum info section.

Stephen Livick    Click here to visit
One of the best gum printers working today.

Farah Mahbub    Click here to visit
Van Dyke, cyanotypes, and Polaroids.

Dan Burkholder    Click here to visit
One of the platinum masters, info on his digital negative book (highly recommended).

Dick Arentz    Click here to visit
Another platinum master. I consider his book to be the best platinum printing manual available. This and "Bostick and Sullivan" were my biggest aids in learning platinum printing.

AlternativePhotography.Com    Click here to visit
Showcases the work of many photographers in cyanotype and many other alt processes.

Carl Weese    Click here to visit
Platinum and silver prints.

Linda Connor    Click here to visit
One of my favorite photographers, incredible POP prints.

Jeffrey Mathias    Click here to visit
Platinum prints, intriguing "folding screen" images, and platinum instructions for those who think mine are far too simplistic ;-)

Jerzy Górecki    Click here to visit
Gum images and portraits

Jan van Leeuwen    Click here to visit
Kallitype, cyanotype, and self portraits.

Robert Mapplethorpe    Click here to visit
Mostly silver, but with a few alternative prints. A wonderful photographer whose images are too often overshadowed by his controversy...

 

Bostick and Sullivan    Click here to visit
The leading supplier of platinum supplies and other alt chemicals. I consider these folks and their "help line" one of my primary alt process learning sources.

View Camera Store    Click Here to visit
A great supplier of ultra-large film and large format camera gear.

Photo Warehouse    Click here to visit
Another supplier of ultra-large films. Custom cut sizes up to 20 inches wide. Great prices.

MSDS info    Click here to visit
Go ahead, scare yourself ;-(

Calumet    Click Here to visit
One of the best general photography stores and mail order houses. Great help and advice.

Photographer's Formulary    Click here to visit
Chemical supplies for most alt process.

View Camera Magazine    Click Here to Visit
Some alt articles, but primarily large format camera info.

Pinhole Resource    Click here to visit
All you need to know about photography without a lens!

Mike Ware    Click here to visit
A scientist involved in alt photography. Includes info on the "new cyanotype" as well as argyrotype and platinum.

Doug Kennedy    Click here to visit
Builds wonderful custom contact frames in a wide variety of sizes. Can also repair other printing frames.

             |  MATERIALS PAGE  |  NEXT PAGE (Zone System)

Valid xhtml

This page last updated:
July 23, 2007

valid css